Lumière Noire pour Femme (2009)
by Maison Francis Kurkdjian


Lumière Noire pour Femme information

Year of Launch2009
AvailabilityIn Production
Average Rating
(based on 84 votes)

People and companies

HouseMaison Francis Kurkdjian
PerfumerFrancis Kurkdjian

About Lumière Noire pour Femme

Lumière Noire pour Femme is a feminine perfume by Maison Francis Kurkdjian. The scent was launched in 2009 and the fragrance was created by perfumer Francis Kurkdjian

Lumière Noire pour Femme fragrance notes

Reviews of Lumière Noire pour Femme

A beautiful rose and patchouli scent. It seems like there's some bright greenness underneath, too - like a light shining through darkness, truly. It's probably the narcissus - all narcissi smell like "some greenness" to me anyway. Some people say they get urine smell from this, but I don't. It's a beautiful, mature, dressed-up and deep rose and patchouli to me.
06th April, 2020
Leda and the Swan BY Michelangelo
28th May, 2018
rbaker Show all reviews
United Kingdom
There is a pleasant lightens and airiness in the opening, with a light rose in the foreground. It is fragrant but not at all heavy, and even with a touch of pink pepper this character is not changed. This develops in a bed of bright white florals, with daffodils and hints of muguets.

Later on whiffs of caraway and coriander cone and go, but this fresh rose core never really leaves.

I get moderate sillage, good projection and nib nine hours of longevity on my skin.

A light pleasant spring floral that is well made, albeit a touch unoriginal. 3/5.
02nd August, 2016
Maison Francis Kurkdjian provides a number of entry points to the brand. It offers traditional products (perfume, papier d’Armenie, candles, body creams) and less expected ones (fabric softener, soap bubbles.) There is a deliberateness to much of the line that challenges the trend-chasing and slot-filling approach of many brands. His vision of a contemporary sensibility derives from an understanding of traditional methods and principles. The design of the brand is like Kurkdjian’s perfumes themselves: modern and classical, composed yet stylish, lavish but concise.

Kurkdjian has mentioned Guerlain as a model for his house but the line’s day-to-evening approach brings Hermès to mind. Hermès offers a fashionable cocoon from an unstylish world. My level skepticism of ‘lifestyle’ branding is stratospheric, but I’m persuaded by MFK.

MFK offers the daydream of a pleasantly scented life but manages to avoid Hermès’s pose of bored affluence. Laundry soap alludes to soap operas and the fiction of the bored housewife. Scented bubbles suggest designer-dressed children and an infusion of finery into the most remote corners of one’s life. The perfumes, though, hint at something more. Most perfume marketing matches a fantasy of inventiveness and distinction to tame, predictable perfumes, but MFK does the reverse. MFK’s subtle subversiveness is in the perfume, not the image. Absolue pour le Soir and Cologne pour le Soir are wolves in sheep’s marketing. The Amyrises satirize mainstream designer perfumes by creating idealized versions of them. The Lumières Noires poke at our nostalgia for the good-old days of the chypre. I might be able to resist the Maison’s sensibility but I fall for the perfumes.

Rose and patchouli aren’t an unexpected combination by any means and their pairing is a motif Kurkdjian has explored over the years, both in his own line and in commission work such as Rose Barbare for Guerlain and Lady Vengeance for Juliette Has a Gun. Coaxing something new out of well-worn materials is one of Kurkdjian’s strengths and Lumière Noire pour Femme demonstrates his knack for reshaping traditional forms and classical techniques to find a novel idea. He shifts the picture and rearranges olfactory clues. Pairing the refined floral and earthy patchouli is a well-understood method for adding richness to perfumes. Kurkdjian recreates the tone in an unexpected way with a clean patchouli and a dirty flower: narcissus. The dynamics are recognizable, but the reframing shifts the perspective and creates a new view.

Lumière Noire pour Femme highlights Kurkdjian’s ability to make perfumes that balance composure and abandon. Grain de Musc called Lumière Noire pour Femme a “bodice-ripper” yet it is also mink-smooth and lusciously lipsticky. It is composed at a glance but uninhibited on closer inspection. It hints at indecency but is never indelicate.

Kurkdjian’s style of subversion is highly mannered. He covers new ideas under a blanket of propriety. The precision of Lumière Noire pour Femme’s composition leaves no seems showing and reveals Kurkdjian’s strategy for subversion. No disruption, no distortion. More a seduction.
21st June, 2016
If you're looking for an unique take on rose, you're probably in the wrong place. Instead, if what you're after is a slightly modernized take on a classically french, kind of chyprey thing with rose as the main player, Lumiere Noir Pour Femme surely delivers what *she* promises.

A winey, bright rose on top. Slightly aldheydic and bright with an oriental quality but devoided of the *heavyness* of other more typically middle-eastern kind of roses. It feels unquestionably classic but it's also carefully modernized via an overall airy feel. There's an element of *distrub* to Lumiere Noir Pour Femme, probably provided by either subtle animalic facets or some spices (cumin?)…or both. The drydown is based on smooth woody patch foundation that wears like a glove for hours and hours.


12th April, 2015
As many have pointed out, this perfume has a classic feel, as though it's been in the perfume world of greats for a while, but that's not to say it's old school or vintage in effect.

The first impression is rose/patchouli, which has been done to death in the perfume world, but the main difference with Lumiere Noire is the note of heady, sensuous narcissus or daffodil. It's animalic and somehow, blended with a high quality, fairly subtle patchouli, it does indeed feel light yet dark. The rose lends a slightly fruity and elegant edge with just a hint of sweetness, with notes of pimento warming up the cooler elegant tones.

It feels to me like a film noir perfume, wearing it does make me feel glamorous, to the extent I'd rarely wear it during the day and instead save it for more dressy events. Its sillage is fairly persistent and I'd only wear a very small amount to, say, the cinema or dinner.

If it's a dressy evening event though, it's just perfect and it's no surprise that Catherine Deneuve had a hand in its making, I can absolutely see her wearing this with insouciant grace and subtle sex-appeal.

If you've tried other Maison Francis Kurkdjian perfumes you'll find this quite different from his other feminines. The others are lovely - elegant, contemporary, but they have a bright quality and utilise some quite projective musks/aroma chemicals. Lumiere Noire is strong, but deeper and darker, its sillage comfortable, especially into drydown.

Excellent, seductive and addictive!
12th February, 2015

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