Perfume Directory

Galop d'Hermès (2016)
by Hermès


Galop d'Hermès information

Year of Launch2016
AvailabilityIn Production
Average Rating
(based on 46 votes)

People and companies

PerfumerChristine Nagel

About Galop d'Hermès

Galop d'Hermès is a feminine perfume by Hermès. The scent was launched in 2016 and the fragrance was created by perfumer Christine Nagel

Galop d'Hermès fragrance notes

Reviews of Galop d'Hermès

This is a gorgeous fragrance. My only wish is that the price point weren't so outrageous. I love the scent, I love the bottle, and I...haven't been able to pull the trigger to spend $220 on one perfume. Instead I got a small rollerball from the Perfumed Court, which I treasure. And meanwhile, I periodically look to see if the price has dropped. I'm obsessed.

As a horse girl temporarily away from horses during the pandemic, this is the most beautiful leather scent that I've tried. It's soft and really does smell like an expensive, clean saddle. But it's wearable. It's expensive, and it smells like it's expensive.

I held it up to my partner's nose after writing the previous paragraph, and he said: "It smells expensive." And he wasn't reading over my shoulder, either.
01st September, 2020
rbaker Show all reviews
United Kingdom
There is a rose in the opening blast, which is a bit unusual in that it is a rose, a rose that is a rose that is a rose (Sorry, Ms Stein). I mean it is focused on the rose blossom, but just the stem and the rose leaves, as is the case in many contemporary rose-based fragrances. An unequivocally pleasant rose impression.

The drydown brings in a soft, gentle bit quite convincing suede note; Doblis leather of which some Kelly bags are made of. Kelly or no Kelly, this is a lovely, albeit a bit linear, suede: soft, smooth, and in the brighter side.

Later on a fruity quince comes to the fore, as comes a saffron that is rather bland and anaemic; maybe a crash course given by Comptoir Sud Pacifique about how they created Sultan Safran might help Hermès in that matter.

I get moderate sillage, good projection and eight hours of longevity on my skin.

This scent for warmer autumn or cooler spring day starts quite nicely, but the second half turns increasingly less enticing. Still, apart from the bottle design that is a bit naff, in all its simplicity this is quite an interesting concept that is not without a touch of originality. Overall just barely a positive score. 3/5.
29th July, 2020
I totally ignored this one until Turin reviewed it. I hated the bottle, I hated the weird quince note....but mostly I hated the price.

Anyway, after a kind transaction with a fellow BNer, I am now in possession of a bottle.

I still hate the bottle, even if it is very well built and quality feeling. I still don't love the quince. But that rose, be still my heart. It's so natural, dark, and beautiful. The leather is a nice backdrop, though mostly before the drydown (weird).

You don't always smell a rose that smells so real, but not the pretty parts, the weird notes you only pickup on after smelling the flower too many times. It's damp, off-putting, and authentic.

This is where that annoying quince comes in. It turns the rose fruity, to the point of almost smelling of osmanthus (Rosemanthus(TM)). I love me some osmanthus, but I just want that stunning rose accord to dominate, which it eventually does once the fruity notes tame themselves.

I will say that I mostly spray this on fabric, because I find wearing it can be a bit intense, and the price is still absurd, but so be it.

20th March, 2020
There's a leathery rose that I know
Which the French mispronounce as Galop
Though I'd thought it a flop
Must now have me Galop
And its tacky and saddlery sheau.


Horse girl valentines
Came in both candied leather
And bittersweet rose

Tried to remember
Took a deep breath, closed her eyes
Back on the ranch, and

Rose leather Sweet Tarts
Might as well be the smell of
Stainless steel stirrups

Holding glass bottles
Bearing mystery liquids
From future and past

Too small and glass-filled
For any step but into
Dreams and memories

Through projector lens
Infinite animation
Of horse-gait story

Riding like the wind
Until ev'rything made sense
And there's that moment

Rose bouquet dropped by
Tramp-stamped wild-child daughter of
Lonestar Memories

And fateful mistress
His own private Akiko
Rose Ikebana

And then she grew up
"Ain't go'n' ta no chypre school"
She texted DM

In Tex-ty Franglish
Stinging sheep emoticon
Too many summers

With broken man-child
Though the girl never forgot
The smell of crayons

Always thought she could
Smell them apart if she tried
ROY G BIV and friends

Accent on the R
whenever she smelled Roses
Tried to understand

Slowing her escape
Bringing her back to this here
Story factory

Art will find a way
Sneaky, patient, biding time
To corrupt the youth

Script written before
Rose's floating ball and chain
Watched new home prepared

From starry daynights
Waiting for time and sunlight
To stir up drama

Pretty rings and chains
Looking for toys, not just boys
To fold their paper

Drawing not allowed
And nobody asked the Gal
What she was thinking

Riding quinolines
Wearing nose-colored Grasses
In those Pinene Woods

Now just a second
You sure you want to hear this?
OK, well, you see

She was a smoker
Wore boots and jeans ev'rywhere
She was a looker

Lookin' for trouble
No chance of not finding it
Or it finding her

Kelly somethin' French
Said they was sisters

Only half a lie
Leathery complications
Never really die

Needed a wing girl
Who figured it all backwards
And never got wise

Flower Girl Kelly
Flushin' the game for the kill
With Pony Puff Kid

Soft cryin' shoulder
Wild nights of bad girl solace
Sure did pay those bills

Until they didn't
When some joker called her Bluff
Suede and black patent

Can lose their effects
On rougher holster leather
In dramatic arts

Resulting in some
Headlines, mug shots and stories
Not all being true

But then Killer Kel
Simply rebranded stood ground
Into fresh roses

And candy-filled hearts
Rich men paid to see that scar
Up in the French Alps

But back to our Gal
Sister Kel lied up a storm
Gal done lawyered up

Mama bailed her out
Had her right where she wanted
On that plane to France

Next to some old guy
Said he was in some kinda
Perfume insurance

Heard her life story
Like he already knew it
(It's called "déjà vu")

And so he tells her
"You listen to Yo Mama
Good stuff will happen."

So that's what she did
The Cowgirl Perfumista
Or somethin' like that

Say there amigo
Can you spare an old guy a
Shot of that cologne?

Yeah, that bottle there
That's the one I'm talkin' 'bout
That stirrupy one.
15th March, 2020
Galop d'Hermès (2016) is the first official outing of house perfumer Christine Nagel, who took over for Jean-Claude Ellena in 2016 so he could retire from perfuming altogether. The fragrance is extremely divisive, and perhaps somewhat miss-marketed as a feminine parfum when in fact it sits quite unisex much like the venerable Eau d'Hermès (1951), but for an entirely different set of reasons. Jean-Claude Ellena has always been something of an emotional perfumer, preferring to capture places or snapshots in time with many of his creations for Hermès (particularly with the Hermèssence line), and uses more of an artistic approach as opposed to a scientific one. As almost the equal opposite to that, Christine Nagel is almost the "chemistry nerd" art-from-science type, playing with compounds and molecules instead of using ingredients like pigments on a paint palette, which makes her perfumes feel more concise, to the point, but not always as interesting to folks liking romanticism in their perfume. In the case of her appointment to Hermès and the subsequent Galop d'Hermès that was made manifest, it is clear that she chose to deconstruct down to the core leather theme that pervades most main Hermès scents, and like the mad scientist she is, build a fruity floral of all things on top of it. The bottle for Galop d'Hermès is almost more bizarre than the scent itself, being a metal framework with refillable atomizer that the sales associate proclaimed is "assembled from 22 parts", which I guess is supposed to be a selling point, but the custom colored lanyard you get to pick out when you buy one of these is a neat touch, I guess.

I've been pretty clear in the past that I hate most fruity florals and nearly all "fruitchouli" varieties for their candied sweetness and offensive nose burn openings, but there have been exceptions (mostly vintage ones) like Chanel Cristalle (1974) and Calyx by Prescriptives (1987). Galop d'Hermès rides in as another rare exception, because it holds off from being unbearably ozonic or sweet by keeping the fruit element in the background, and laying rose and saffron upon the sharp leather tannery note in the base. This combination makes for a rather pleasant and almost "summery" leather experience that can easily replace any of the older, and more traditional varieties of leather found in the Hermès back catalog when a hot day calls for it, but only for the open-minded. The bright bergamot and osmanthus that opens with a dry citric apricot accord. The leather comes on rather quickly as does the rose and saffron which follows, but while this development gives Galop d'Hermès a bit of a Middle East flair at first, the rose and osmanthus hang around with the dry leather which pushes the scent a little more to the feminine side in the end, merging the whole thing with a late-wear nondescript woods note to make Galop d'Hermès rather pleasant albeit a touch linear due to its simplicity. Wear time is appreciably long, and sillage is huge at first but soon goes busto after about the 4 hour mark to something more akin to what an eau de parfum usually puts out. Galop d'Hermès feels best in warm weather and casual settings, and although unisex to my nose, the average CISHET guy won't dig this ladies or anyone who has interest in obvious florals or rose needs to have a looksie at this.

Galop d'Hermès is nice, but nice may not be enough for some long time Hermès fans used to the kind of output Hermès is known for, including robust aldehyde woody florals like Amazone (1974), or stiff isobutyl quinoline leathers like Bel Ami (1976). Hell, even more-recent main line scents like Hiris (1999) or the male incumbent Terre d'Hermès (2008) have a lot more complexity and soul to them than Galop d'Hermès, which reads like a "let's play with genres that don't really go together because it might be cool" by mixing leather with a fruity osmanthus top and then keeping it precariously teetering between the former's dryness and the latter's shrill sweetness, but never really giving in to the tendency either have to dominate the accord by stuffing some Arabian rose and saffron into the heart for laughs. Well, Christine Nagel certainly got everyone's attention with this (if the complex refillable bottle in it's own metal frame failed to do that), but if she intends to keep that attention, she'll have to tow the line a bit more with Hermès, which she seems to have already done to some degree with her additions to the Eau de Cologne Hermès line. All in all, this is a hard-fought neutral to me, as it's difficult to make me like something in this genre from the get-go, but I don't hate it and found the time spent with Galop d'Hermès rather interesting. The creativity and overall vibe still feel like "Hermès" to me, even if not exactly "classic Hermès" nor something I would see myself wearing beyond sampling for this review, but what doesn't work for me might work for you. Sample before diving in, as this one is also a bit pricier than some others from the house.
19th January, 2019
Mouthwatering combination of quince and osmanthus with a sparkling rose. Now that is how you make a fruity floral which brings a smile on my face! From underneath all this, a fine buttery soft leather is adding some character; the leather is borrowed from the amazing Cuir d'Ange and I am happy about that. The heart is still pretty and it's focused more on the flowers (especially on the rose) while the osmanthus still brings a bit of freshness. I don't get any leather in the late dry down but I do get sort of an expensive rose soap feeling. I'd say this is unisex leaning a bit feminine, more so in the last part. It's a lively and happy perfume.
10th October, 2018

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