At the end of last year, an announcement from Hermès had many of us perfumistas intrigued: Christine Nagel would be joining them as in-house perfumer alongside Jean-Claude Ellena (Signalling that JCE may well be looking to retire soon) - as she begins her tenure at Hermès, I take a look back at her best works of her career so far.
Click Next to see Christine Nagel's Greatest Hits.
Great article - and spot on descriptions!
To me, Christine Nagel is the master of the overripe (as you wrote), if not outright rotten accords. A turn-off at first, but then they make you want to go back and smell again and again. Which is a proof of her talent in creating solid structures with interesting twists. To me, the two best examples are Theorema (as you stated) and Archives, where I also perceive a powerful overripe/rotten note.
Jo Malone seemed the opposite of this style (to my nose, she did try to slip some potent note in a couple of them, like the chocolate one from the English dessert series, but to me they smelled all wrong). In Hermes, I hope she will be able to break from the transparent style of the house and return to her bolder intentions.
Wishes for her work there: perhaps, given the origin of the house, a dirty leather-an animalic leather with rotten fruit ovetones?
Also, I think in the lemon pie Jo Malone she had a tarte au citron accord that reminded a bit of Feu d'Issey. But then there was nothing else there. Perhaps she can create something as varied as FdI?
And of course, a Theorema 2.0 would be most welcome.
cacio